My creative goal as an artist is to combine, blend and/or unite intangible similarities so as to blur individuality or individual identity.  My experiential consumptions create a digestive process that expels objective matter to be inspected, avoided or re-consumed by the audience.   Subliminal bells gently prompt viewers to dig through the layered depth of intuition; thus, cultivating space for onlooker to become participator.  Public presentation of this work creates its own virtual hybrid of culture and globalism.

Facades, myth, idealism, culture, and impermanence act as a well of reference for my art making.  Accordingly, exoteric materials become exploited and utilized beyond their function.  Combining these concepts with subjective memory, I use the potency of motive to curiously attack the complexity of simplistic materials.  Primary color schematics bridge the language barriers between builder and dismantler.  Watercolors, construction paper, toothpicks, straws, skewers, newspaper and wood are some of the materials used to quietly execute the objective of ambiguity.  

My work’s methodology is based in wonder.  The challenge is to see if I can relate to mundane materials through the motive behind my subject matter.  It is the unexplored of the project that creates possibilities and challenges that, if overcome, provide a new understanding.  Unknowingly, this also becomes a metaphor for the viewer’s experience.  It is through my own artistic discoveries that I can provide this same sense of approach to Los Angeles as a city, as a culture, as a people and as a subject matter.